Random Interpretation of Unconscious Expression in New Expressionism

Yeni Dışavurumculukta Bilinç Dışı Anlatımın Rastlantısal Yorumu

Abstract

Various speculations and the combination of real and imaginary in concept / language / technique and materials generate new approaches. The forced dependence on painting and sculpture gives rise to new alternatives on paper, rising as the formation of a very specific knowledge that formulates its own projections. Contemporary drawing is characterised by the plurality and diversity of readings, and this tendency is what largely motivates the conduct of this research. The enormous possibilities that emerge one after the other open the door to other hypotheses. Drawing, so summarised in its academic function over the centuries, changes its function when new concretisations are considered in our contemporaneity, but above all when it is undertaken with all the nuances and values that they themselves determine. It is to know, and above all to understand, that the values that have always been transcended and the drawing, to which always only one option is given, are based on new aesthetic values and thus provoke new ways of predisposing the gaze. Current events will not be drawn back to other situations produced by new attitudes, which are the direct consequences of the events of the last century. In this framework, the aim of our study is to provide an incidental interpretation of the unconscious narrative in the new expressionism.